William R Stoddart, Old Lady on Plane

Old Lady on Plane

I wish to go beyond the nervous small talk
with the old lady sitting next to me on the plane

who has an Italian accent and talks about her garden.
I have a garden so I ask her about tomato plants

and she looks around before whispering
about coffee grounds she never throws away

along with egg shells and the inedible
parts of vegetables all mixed together and spread

around her plants. What about the insects, I ask.
She looks off toward the flight attendant who has

a hard smile for a large man blocking her refreshment
cart. The man relents and moves sideways like

a crab back to his undersized seat. The thing
about insects, she tells me, is that they don’t eat much.

She smiles, proud that she has mastered English,
and she rambles on about how there is no meat

on pizza in Italy, and now I feel my smile hardening
since I never intended the conversation to last this long

but it serves us well as the turbulence is ignored
and time flies by and I’m thinking of all that goes along

with the knowledge this old grandmother has told me,
the consequences she never bothers to whisper

like the vermin her garden must attract. She tells me that
nothing is wasted and she even throws orange peels

into the garden mix and says the coffee grounds keep ants
off the plants and yes, regular coffee works better than

decaf. I can smell the coffee the flight attendant
is pouring for the attractive lady in the business suit

across the aisle that I would never talk to except for
the obligatory good morning to open possibilities

that can only be shared by strangers paying no heed
to consequences, the unfathomable layers of words

like silvery chords frozen in blue, fading slowly
like vapor trails through a fallow sky.

William R Stoddart is a poet and short fiction writer who lives in the suburbs of Pittsburgh, Pennsylvania, USA. His work has appeared in Ruminate Magazine, Pedestal Magazine, Neologism Poetry Journal, and Every Day Fiction. He has poems forthcoming in Nine Muses Poetry and Eunoia Review. This poem appeared in The Adirondack Review in 2014.

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